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Tuesday, March 19, 2019

Comparison of Stereotypes and Stereotyping in A Dolls House and The Breakfast Club :: Movie Film comparison compare contrast

Stereotyping in A Dolls House and The eat Club When you hitch someone with expensive jewelry, tearaway(a) a Lexus with tinted windows, rap music blaring from a mega stereo system, do you assume that he is a punk or drug lead? This is an example of stereotyping. How are stereotypes assigned? Often they are created by troupe and are based on gender, race, religion, age, or favorable standing. Henrick Ibsen focused on the theme of stereotyping in his play A Dolls House. In A Dolls House, Nora is seen as more an object than a person. When the play was written, women in general were viewed as wives and mothers, not individuals. Nora skillfully plays the part of obedient wife as Torvald questions her astir(predicate) what she did in town, assuring him that she would never dream of doing anything he didnt want her to (Ibsen 933). In The Breakfast Club, the characters peers designate stereotypes as a result of a combination of social status and behavior. Brian is the brain because he is an A student, Bender is the venomous on account of his rebellious behavior, and so forth. In his show to Mr. Vernon, Brian addresses the stereotypes that have been put on him and his peers ...we think youre crazy to make us write this essay telling you who we think we are. You see us as you want to see us...in the simplest terms and the most convenient definitions. You see us as a brain, an athlete, a basket case, a princess, and a criminal. Correct? Thats the way we power saw each other at seven oclock this morning. We were brainwashed (Hughes). In balance with the opening quote from the movie, these characters are quite certain of what theyre going through with(predicate) (Hughes). Stereotypes are superficial, however, and when they are peeled off they often reveal something all told unexpected. When Torvald receives the letter from Mr. Krogstad and learns of Noras secret, he begins to see her as a hypocrite, a liar...a criminal (Ibsen 974). When the conflict i s resolved and it becomes clear that no one will sustain because of her forgery, Torvald returns Noras stereotype of vulnerable woman, telling her he wouldnt be a ripe man if he didnt find a woman doubly attractive for macrocosm so obviously helpless (Ibsen 975). In The Breakfast Club, the teenagers have been aware of their stereotypes for quite some time.

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