A Doll’s House: Nora’s Character Essay

From the first moments of her entrance, the audience perceives Nora Helmer as a spoiled, unfledged young charwoman. She is revealed as a loving woman who wants to spoil her family with to a greater extent Christmas gifts that she may be able to afford. She also continues to eat macaroons in secret, by choice against her husbands wishes, which shows a childs stubbornness and determination. passim Henrik Ibsens A Doll House, Nora Helmer grows from what the audience perceives as a flighty, immature child to a level-headed, mature woman.After the entrance of Mrs. Linde, Noras childhood friend, the audience learns that Nora has sorbed coin something that women of that time were not permitted to do. Not only did she borrow gold, but she borrowed it through an unscrupulous banker that Torvald works with, Krogstad. Although her intentions were admirable, Noras partaking in an sinful practice showed more immaturity on her part. Having to lie to Torvald about what she was doing with the money he gave her only further proves that she was not capable of handling such(prenominal) a serious transaction.During Noras talks with Torvald over Krogstad, Torvald says, Almost everyone who goes swelled early in life has a mother whos a chronic liar (Ibsen 1527). This news causes Nora to panic and shut down in all contact with her three children. While a statement such as that does warrant some kind of reaction, Noras extreme actions show a blind confidence in her husbands words. She believes that everything he says must(prenominal) be gospel. If she had more knowledge of being a mother, she would nonplus know that she could challenge his bold words.Although many people are able to trip up goodness in others no matter how slight it may be, Nora blindly assumes that because she has three small children, Krogstad will not reveal their transaction to Torvald or the authorities. At the beginning of morsel II, she says, Nothing terrible could happen. Its impossible. Why, I have three small children (Ibsen 1527). A more experienced woman would know that nothing, not even something as sweet and innocent as children, can get in the way of a desperate man.From Act II to the end of the play, Nora continually refers to a miracle. It seems that she wished Torvald would understand care of the social unit situation with Krogstad once he found out about it and bop and praise her for her sacrifice. After he outright condemns her, calling her a wicked and a liar, Torvald accuses Nora of wrecking his happiness, tells her she must never see the children, and blames her fathers parenting for the entire situation. When Nora realizes Torvald is not going to suffer for her sake or take on her guilt, something in her snaps. Even after they get Krogstads musical note back and burn it, she knows things cannot remain how they have been in the past. She says, Ive been your doll-wife here, scantily as at home I was Papas doll-child (Ibsen 1552).By the final scenes of the play, the audience watches as Nora blossoms into a strong, independent woman. She refuses any money that Torvald offers her, and finally challenges some of his words. She tells him that he may have the strength to pass water himself over if his doll gets taken away (Ibsen 1555). That small exchange proves that she is not merely running from her problems, but she genuinely wants Torvald and herself to have a venture to change. At last she walks out the door but leaves Torvald with the hope that someday they might have a avowedly marriage. She sighs, You and I both would have to transform ourselves to the point that That our living together could be a true marriage (Ibsen 1556).