Soulless Technology in William Gibson’s Burning Chrome Essay -- Willia

soulless Technology in William Gibsons Burning ChromeAn old byword states that the eyes are the windows to the soul. What if, however, those eyes have a trademark pee-pee stamped onto them? William Gibsons short story Burning Chrome depicts an advanced hardly soulless society where most of the technological advances are portrayed as being perverted by commercialization and human mechanization, rather than consecrate to improving the quality of spirit. This paper entrust touch upon the frivolous consumerism of as well as the dehumanizing uses of technology in the world of Automatic Jack, the reviewers companion throughout the story.Perhaps the most visible pillowcase of this perversion is the high degree of commercialized technology in their society. The pillowcase of Rikki, a female friend of Jacks, has her heart set on a pair of Zeiss Ikon eyes, and, as Jack describes them as a Brand of the stars and Very expensive (Gibson 1015). Though she desires 20/20 vision, Rikki does n ot want the eyes because they will help her see better rather, she has an stallion catalogue full of the most fashionable and stylish eyes of the season. Rikkis friend Tiger gets his eyes redone simply so he weed go to Hollywood, risking his eyesight with the not-as-reliable Sendai brand. The fact that anyone would put fashion and fame before something as precious and irreplaceable as optic nerves goes beyond mad consumerism. It becomes reckless consumerism, putting goods above all other concerns for self and others. As for Tiger himself, Jack describes him in the following mannerHe had the bod of uniform good looks you get after your seventh trip to the functional boutique hed probably spend the rest of his life looking vaguely like each new season... ... newest authority to connect to others without needing human interaction. Its impossible to know when technology will become too invasive and society too hollow, but by the time anyone looks hard enough, nothing but empty, s oul-devoid, trademarked windows will winkle in return.BibliographyGibson, William Ford. Burning Chrome. The Prentice residence Anthology Of Science Fiction and Fantasy. Ed. Garyn G. Roberts. NJ Prentice Hall, 2001. 1006- 1019.Maddox, Tom. Cobra, She Said An Interim Report on the Fiction of William Gibson. Hall 142-144.Hall, Sharon K., ed. Contemporary literary Criticism. Vol. 39. New York Gale Research, Inc., 1986.Coleman, Howard. Other Voices, Other Voices. Matuz 129-130.Greenland, Colin. Into Cyberspace. Matuz 130-131.Matuz, Roger, ed. Contemporary Literary Criticism. Vol. 63. New York Gale Research, Inc., 1991.